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Official site includes discography, lyrics, sound files, and tour dates.Tiny House on Wheels in British Columbiaon. January 4, 2. 01. While volunteering at a cold- weather shelter near my home in Grand Forks, British Columbia, I was consulted about designing transitional housing for the homeless. After some discussions with the staff and guests at the shelter I went home to draft some floor plans that I thought might meet the housing needs of the homeless, with dignity, at a low initial cost. American Teardrop camping trailers, priced from $4495 to $8795, some of the lightest custom camping trailers on the market! Rentals are available call for pricing. The Small Trailer Enthusiast last week welcomed not one, but two new partners on the web site. Little Guy Worldwide and their online store, The Teardrop Shop, now can. Dansk Melodi Grand Prix er en sangkonkurrence i Danmarks Radio. Den er afholdt siden 1957 for at finde Danmarks repr I was then struck by my incredible hypocrisy. Here I was living in a typical 1. I possibly know what would be required for someone to live in a Tiny House? I asked myself, “What would be the very smallest space that I could live in with pride and comfort?”It’s now one year later – in seven months of leisurely construction and frantic downsizing I have built, and moved into, my 1. I am irrationally happy in my new home, and I now feel somewhat qualified to suggest some design considerations for small living spaces. SEE ALSO: Smart- Framing a Lightweight Tiny House in Canada. As an architectural designer/contractor I have designed and built over 4. I stood on the rusty deck of my newly acquired, $7. X1. 8. An initial nest of straw keeps pail clean when emptied. Peat moss used as a cover. Tongue and groove ceiling with post and beam construction, all from locally- milled timber. Recycled cabinets, doors, windows, etc. Clothes storage in large, roll- out drawer under bed as well as bedding, off- season clothes, and a large water tank. Bedroom doubles as a comfortable sitting room for company. Hanging clothes closet and kitchen storage. Chest freezer converted to energy- efficient fridge. Settled onto my secluded riverfront site, steps from my favorite swimming hole. Perspective plan of 2. Plan view of Pete’s tiny house. My 5 Tiny House Design Rules. Rule #1: No loft. My first design consideration comes from being 7. I also know from experience that our hot summers create hostile sleeping temperatures in lofts. Rule #2: I wanted a home that didn’t require intricate magic tricks to be performed before I could engage in each new activity. I wanted to live in a less complicated environment than the transforming, fold- out, drop- down, nesting, Rubik’s Cube storage strategies of some Tiny House tradition. In search of simplicity, I wanted to eliminate any floor space that served only the single function of moving traffic from one space to the next. Rule #4: Provide maximum R- values. Post and beam construction allowed maximum insulation levels and minimum weight by severely reducing structural framing and thermal bridging. At this moment (1. Sunday, January 3, 2. F and all my attention to insulation is paying off big- time. Rule #5: Design for self- sufficiency and a low carbon footprint. Doors, windows, cabinets, etc. The capacity for on or off- grid living was accomplished by installing full solar voltaics, propane, a Honda generator backup and on- board water – as well as providing for all the standard RV hook- ups. More Details on my Tiny House Systems. On- demand hot water and stovetop are fuelled by propane. Energy- efficient freezer/fridge conversion kit is by Australian innovator Dr. Tom Chalko. 1. 10. V, 9,0. 00 btu heat pump provides space heating and air conditioning. A compact, insulated, Japanese- style sit tub and shower pan is a recycled chest freezer. Bucket composting toilet has a Separett insert. LEARN MORE: Smart- Framing a Lightweight Tiny House in Canada. I’d be thrilled to correspond with interested people in my area: < petermatheson. AT gmail. Thanks! If you enjoyed this tiny house story you’ll absolutely LOVE our Free Daily Tiny House Newsletter with even more! Thank you! The following two tabs change content below. Peter is an architectural designer and contractor who, after volunteering at a cold- weather shelter in British Columbia, was consulted about designing transitional housing for the homeless. One year later, he found himself moved into his very own 1. KAFE 104.1 is keeping you caffeinated from Dave & Mandy in the Morning until you leave work in the afternoon! FULLTV HD is a free online movie guide that provides information about film premieres. Full movie Kafe Lale - the filmMovie information - 2014. 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Kafe Lale - the film (2014) 1channel LetMeWatchThis Movie - Watch Kafe Lale. Here are the 5 Best Hispanic Films for 2014. The 5 Best Hispanic Films To Watch In 2014. The 5 Most Anticipated Movies Of 2014! 122 yılında Romalılar tarafından kurulmuş ve sahip olduğu termal su kaynaklarıyla kısa sürede gelişmiş. Doğal su kaynaklarının bu kadar zengin oluşu kente paha biçilmez birer sanateseri olan 200 ‘den fazla çeşme kazandırmış. Bu çeşmelerden en ihtişamlısı La Rotonde meydanında yer alıyor. Çeşmenin karşı köşesinde yer alan resmi turizm ofisinden ücretsiz olarak bir şehir haritası alabilirsiniz. Cours Mirabeau, çınar ağaçları ile süslü geniş bir bulvar. 17. yy’da at arabalarının rahatlıkla geçebilmesi için yapılmış. Yine bu dönemde, bulvarın kenarına görkemli malikaneler ve şık binalar inşa edilmiş. Aix en Provence sakinleri bu binaların hemen girişinde bulunan kafelerde oturup sohbet ederlermiş. 17. yy’dan bu yana gelenek hiç değişmemiş. Bulvar boyunca sayısız kafe ve restorant bulunuyor. Bulvarın başından her saat başı kalkan küçük gezi trenleri sizi bekliyor. Kentin en önemli noktalarını önce bu trenle keşfetmek sıcak havalarda daha az yorulmanızı sağlayacaktır. Cours Mirabeau’nun arka sokaklarında bambaşka bir dünya sizi bekliyor. Şık butiklerle dolu dar sokaklar birbirinden güzel meydanlara açılıyor. Belediye meydanı en güzellerinden biri. Astrolojik saati ve mevsime göre değişen döner figürleriyle gotik çan kulesi ile belediye sarayı ve karşısındaki tarihi postane 18. yüzyıldan kalma. 1839 yılında Fransa’nın güneyinde, Aix-en-Provence’da doğan ressam Paul Cézanne için 19. yy sanat anlayışını değiştirerek 20. yy sanatının temelini attığı söylenir. Aix-en-Provence renk ve ışıkları ile Cézanne’ın yanı sıra Van Gogh’a ve daha pek çok ressam ve yazara da ilham kaynağı olmuş. Kentin 10 km kuzeyindeki St. Victorie dağı yine Cezanne ve Picasso’nun tablolarını yaptığı lavanta tarlalarıyla kaplı. Eğer Haziran- Temmuz aylarında kenti ziyaret ederseniz lavantaların baş döndürücü güzelliğine tanık olabilirsiniz. Cezanne 1897 yılında bölgede yaptığı doğa gezilerinden öylesine etkilenmiş ki dağda bir atölye kiralayıp, burada çalışmaya başlamış. Bu dönemde yaptığı resimlerin Kübist akımın ilk tohumları olduğu söyleniyor. Bu atölye şu an müze olarak hizmet verlyor. Kentteki Granet Müzesi’nde de Cézanne’ın bazı tablolarına rastlayabilirsiniz. Mistral rüzgarının rahatlığı. Kısa adıyla Aix’de iklim gerçekten harika. Bunda Mistral rüzgarlarının de etkisi büyük. Yılın belki de sadece 3 ayı yağmurla geçiyor. Güneş kışın bile yüzünü eksik etmiyor, yılın en az 300 günü güneşli geçiyor. Yaz aylarında sıcaklık artsa da kentin kuru havası ve sürekli esen hafif mistral rüzgârı ziyaretçileri ferahlatıyor. Leziz zeytinlerin sırrı. Aix en Provence iklimin elverişli oluşu nedeniyle Fransa’nın zeytin başkenti olarak anılıyor. 2500 yıl önce Yunanlılar’ın getirdiği zeytin ağaçları bugün de bereketinden, lezzetinden hiçbir şey kaybetmemiş. Sofra zeytini ve zeytinyağının yanı sıra hem yeşil hem de siyah zeytinden üretilen ezmeler gerçekten çok lezzetli. Doğa Tarihi müzesi. Aix-en-Provence’a gelip, pazarlarda günlük yaşama karışmadan dönmek olmaz. Bu renkli ve cıvıl cıvıl pazarlar neredeyse haftanın her günü kentin çeşitli yerlerinde kuruluyor. Özellikle zeytinyağı ve zeytin, peynirler, yöresel ekmekler, sabunlar ve calisson adı verilen şekerlemelerden satın alabilirsiniz. Antoine Cote Cour. Brasserie des Deux Garçons. Gecelik oda fiyatı 50 euro’ya kadar:. Le Concorde- www. hotel-aixenprovence-concorde. com. Gecelik oda fiyatı 50-100 euro arasında:. Hotel de France- www. hoteldefrance-aix. com. Gecelik oda fiyatı 100 euro üzerinde:. Hotel Paul Cézanne-www. cezanne. hotelaix. com. 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R2 with Service Pack 1 (SP1) Standard operating system (required)Windows Server 2. R2 with Service Pack 1 (SP1) Enterprise operating system (required)Windows Server 2. R2 with Service Pack 1 (SP1) Datacenter operating system (required)Windows Server 2. Standard operating system. Windows Server 2. Datacenter operating system. Does not support the following: The Server Core installation option of Windows Server 2. R2 or Windows Server 2. The Windows Web Server 2. R2 operating system or Windows Web Server 2. Windows Server 2. R2 HPC Edition or Windows Server 2. HPC Edition. Video. Display with 1. 02. Graphics Hardware. Support for Microsoft Direct. X 9 APIMinimum of 1. MB) graphics memory. Windows Display Driver Model driver. Telemetry Dashboard is installed with Office Professional Plus 2. Office 3. 65 Pro. Plus editions of Office 2. The information in this table outlines additional requirements for specific components of Office Solution Management Telemetry Dashboard server. 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Updated: February 08, 2017. Enhance your IMDb Page. Title: Sutorobo ejji (2015) 6.3 /10. Want to share IMDb's rating on your own site? Use the HTML below. You must be a. Rihanna, Paul McCartney, Kanye West, “FourFiveSeconds” (DJ Mustard Remix). The first and most enduring thought upon listening to this is how unsurprising it is that this exists. It’s as if DJ Mustard heard the pleasantly surprising acoustic triple-threat collab and thought, “You know what this could use? Me, on the beat, ho. ” But the producer born Dijon MacFarlane isn’t stupid: “FourFiveSeconds” didn’t need any adornment — but he still dressed it to the nines for the club with the most basic of his signature gloss. Suddenly, Kanye-Rihanna-McCartney doesn’t sound out of place booming out of a Just Blaze DJ set. — HARLEY BROWN. 24. Dusky, “Skin Deep” (Global Communication Remix). U. jacked-up house duo Dusky must be very flattered. Legendary countrymen and ‘90s electronic icons Global Communication emerged from a two-decade near-silence to stretch and pull “Skin Deep” into a glittering, ambient sprawl over twice its initial length. Filling the space between Dusky’s chopped-and-screwed vocals with icy jungle breakbeats, endless arpeggiators, and the iconic melodramatic swells of their own heyday, the duo recalls the days before progressive house became a bastion of EDM-lite. — H. 23. Years & Years, “Shine” (Danny L Harle Remix). PC Music crew member Danny L Harle took his remix skills out for a spin this year, first with Panda Bear and then U. electro-pop trio Years & Years, rocketing their already-sparkling “Shine” into the stratosphere. Pitching up frontman Olly Alexander’s voice to match twittering bird-call samples and stabs of ecstatic trance, Harle throws in an unmistakable “Rhythm of the Night” through line, a move so subtle it keeps his “Shine” this side of a mashup. — H. 22. Carly Rae Jepsen, “Your Type” (Skylar Spence Remix). Back when Skylar Spence was Saint Pepsi and Carly Rae Jepsen was the girl who sang “Call Me Maybe,” the former chopped and screwed the latter into a skittering sex mix. pitching down the Canadian pop star’s voice and setting it against a curtain of pattering rain. His skyscraping remix of E•MO•TION ’s “No Type” trades the mood lighting for a glinting disco ball, kicking it up from a synth run fit for a John Hughes credits sequence to a bubbly confetti cannon circa post-chillwave Toro Y Moi. We’ll always make time for you, Carly, but especially when you make room for us on the dance floor. — H. 21. Miike Snow, “Heart Is Full” (Run the Jewels Remix). Even after Andrew Wyatt successfully shoehorned a Marlena Shaw sample into Swedish synth-pop so crunchy and horn-heavy it sounded like an RJD2 joint, he worried that laying rap verses on the instrumental would look like trend-hopping. He needn’t have. El-P spits about Wookies and bearskin rugs, Killer Mike nods to the source material with the line “Iced out in Iceland in the blue lagoon,” and all of a sudden Miike Snow’s departure from their signature crystalline chords makes sense: It’s like they had Run the Jewels in mind for their comeback the whole time. — H. 20. Radio Slave, “Don’t Stop No Sleep” (Robert Hood Remix). You might remember Radio Slave from “Can’t Get Blue Monday Out of My Head,” the British, Berlin-based producer’s poptimistic 2002 mashup of the New Order and Kylie Minogue. But Matthew Edwards’ most recognizable alias (he has ten) specializes in acid house and techno’s minimally mesmerizing brutality. He meets his match in Detroit’s Robert Hood, who dials up the heart-thumping tempo of “Don’t Stop No Sleep” to an even more unforgiving clip, turning the titular repetition around and around until it echoes like a sweaty fever dream. — H. 19. Disclosure, “Magnets” (Jon Hopkins Remix). Darkwave don Jon Hopkins took Lorde’s vindictive inspiration for “Magnets” (“a hit girl who seduces and then burns alive douchey boyfriends”) and sprints with it. His dream of what the fiery pits of hell might feel like essentially dismantles the original, which appears only as a mere shadow of its former self in the very beginning. Hopkins amplifies Disclosure’s clopping beat into a thunderous backbone, chipping Lorde’s breathy siren into barely audible gasps and syllables. It’s a song for the end of days — or at least, the end of his. — H. 18. Faze Miyake feat. Sasha Go Hard, “Below Me” (Total Freedom Jezzy Pride Mix). In his live sets, Total Freedom isn’t the kind of DJ to throw anything against the wall to see what sticks — he’s the kind that will spin Beyoncé singing the national anthem b2b five minutes of breaking glass, and the crowd can take it or leave it. It’s fitting, then, that his Jezzy Pride (short for “jezebel”) mix of U. MC Faze Miyake’s whiplashing “Below Me” opens with Chi-town rapper Sasha Go Hard snarling, “You’re not with me, you’re below me. ” As her verses are almost subsumed in Total Freedom’s garbage-compacting mix of guttural grunts, tuba-like honks, and a haltingly plucked gamelan, it’s clear who’s on top. — H. 17. Dele Sosimi & Afrobeat Orchestra, “Too Much Information” (Laolu Remix). Fela and Femi Kuti associate Dele Sosimi has found a kindred spirit in Nigerian-Swiss producer Laolu. Initially mistaken for the work of another, better-known production team called Âme (who named this their “favorite track of the year” ), his extended edit of “Too Much Information” channels the ebullience of Dele Sosimi Orchestra’s version through crisp snares accented with whimsical flutes, rather than chunky brass. A thrumming bass line carries the bridge to its bittersweet symphony, buoying the chorus with string swells akin to early-‘00s electronica like Moby’s “Porcelain. ” Indeed, it’s almost too much. — H. 16. Go March, “Rise” (Shigeto Remix). Belgian instrumentalists Go March went widescreen on “Rise,” a proggy electro-opus of feedback screeches and deliberately ponderous time signatures. While Detroit drummer and producer Shigeto is more than capable of similarly grand scopes in his jazz-informed electronic flights, he tones it down on his breakdown of “Rise. ” More appropriate for a bleary-eyed late-night than a golden-hour stumble home from the club, Shigeto delicately extracts any signifiers of Go March’s bombast, replacing the voids between his skittering percussion with crackling static, at once deeply soothing and slightly unnerving. — H. 15. John Carpenter, “Night” (Zola Jesus and Dean Hurley Remix). Horror savant John Carpenter’s first album of non-score music , Lost Themes. sought to distill the creeping anxiety of his cult-worshipped films into brief blood-spattered keyboard drones — and did so, to varying degrees of torment. “Night” was one of that collection’s most harrowing successes, adding a pulse and drive to his decades of amorphous instrumentals, so it’s only fitting that Nika Danilova, a. Zola Jesus. would lend her Lost Highway -esque incantations to transform it into a truly traumatic ballad. It’s the closest you can get to Halloween on pure sonics. — COLIN JOYCE. 14. Jackie House, “Stydive” (Matrixxman Remixx). Matrixxman’s mechanical sci-fi fixations and Jackie House’s four-on-the-floor kick as one of the founders of DJ collective Honey Soundsystem exist on the same San Francisco spectrum, regularly spinning at the same parties and frequently hopping on each other’s tracks and 12-inches. On his remix(x), Matrixxman slashes any of House’s self-aware irreverence (like the background whoosh reminiscent of a metallic object zooming through the sky), streamlining “Stydive” into a straight-ahead banger. Aside from the same shrill, amorphous vocal sample that occasionally floats overhead, its unexpectedly piercing claps and a radar-like background rotor render his version almost unrecognizable. — H. 13. Leftfield, “Afro Left” (Melé Edit). Twenty years after genre-bending U. duo Leftfield melted and melded minds on 1995’s “Afro Left” with heavy bass squirts and mesmerizing lyrics in a gibberish they called “djum djum,” London beatmaker Melé has taken on the intimidating task of revitalizing the track. First he condenses “Afro Left” to about half its initial length, cutting Paul Daley and Neil Barnes’ new age-ier meanderings in favor of tightly wound U. funky thunks. It’s so transfixing you’ll wish he kept winding it up for a least twice as long. — H. 12. Teengirl Fantasy feat. Lafawndah, “Lung” (Lotic Remix). This year more than usual, the most exciting dance music came from far-afield acts grating sounds in the upper frequency, as opposed to DJs testing how hard their bass can shudder an Ibiza sound system. Houston, Texas has been a surprising hotbed for these producers; specifically, TriAngle Records’ Rabit and Lotic, who has since taken his gunshot-spattered R&B inversions to a Berlin base. He pushes the knobs a bit gentler on his interpretation of Lafawndah’s wistful “Lung,” weaponizing her squeaky yearning with the crash of rusting iron gridworks and the tinkling progression of unresolved chords. Rarely does romance for robots sound this human. — H. 11. Streetside Boyz, “I Want to Be With You” (AFX Remix). It’s always been relatively easy for listeners familiar with Richard D. James’ output to peg tracks from his “anonymous” SoundCloud dumps to various periods in his career — only his remixes, collected to a point in 2003’s 26 Mixes for Cash. have escaped such name-that-era games. His alter-ego AFX’s edit of Streetside Boyz’s 1988 minimally murky house bumper “I Want To Be With You” can only be timed to cuffing season: Released in October, it’s described as a “late-night jam best served after midnight. ” After he strips the vocals and teases out the whomping bass line and horror-score shudder, “I Want To Be With You” shifts from an atonal attempt at love to not even a full-night stand. — H. 10. Adele, “Hello” (DJDS Acid Mix). Let’s hope you downloaded DJDS’ (f. DJ Dodger Stadium) “acid mix” of Adele’s “Hello,” because a) Sony Music Entertainment made quick work scrubbing the Internet of its existence, and b) you are missing out on the closest you’ll come to legal ecstasy since those Amsterdam Dance Event rumors. Los Angeles house-music worshippers Jerome LOL and Samo Sound Boy dialed up Adele’s voice — which sails so far in this context she could have a second career, along with Giorgio Moroder. as one of his topliners — and kept the piano figures, burning off any residual schmaltz with a stutter-step so rapidly escalating it practically leaves skid marks. Topped with body-jolting pops, DJDS’ rework will erase any heartache — along with your mind. — H. 9. AlunaGeorge, “You Know You Like It” (DJ Snake Remix). DJ Snake’s svelte reimagining of the slinkiest number off of British alternative R&B duo AlunaGeorge ’s 2013 debut LP, Body Music , ushered in a year in which remixes catapulted already radio-friendly songs from de facto relative obscurity to the Top 40. (Thank you, Felix Jaehn !) Rather than unleashing the literally floor-smashing bass of the French producer and DJ’s best-known crunk slam — that’d be “Turn Down for What,” of course — Lil Jon adorned “You Know You Like It” with only the most judicious of staccato snare rolls and mid-range thumps, letting Aluna Francis’ own voice carry the chorus. You know you like it. — H. 8. Shura, “White Light” (Gabe Gurnsey Factory Floor Remix). Over the past few years, New York City’s most irreverent post-punk danceniks in DFA have been losing their edge to deeper BPM-oriented Brooklyn labels like Mister Saturday Night and L. focusing instead on developing rawk bands like Slim Twig and Guerrilla Toss. And yet, it’s not a stretch to draw parallels between their roster’s U. industrial innovators Factory Floor and a proto-LCD Soundsystem, especially on drummer (and F. ’s go-to remixer) Gabe Gurnsey’s reboot of neu-disco chanteuse Shura’s “White Light. ” There’s that cowbell, for starters, but the real fire burns in the melty low-end alarm wails and his persistently Liquid Liquid bass thwacks, percolating in the background with the unavoidable intensity of a strobe light. — H. 7. Björk, “History of Touches” (Rabit Naked Mix). The emotional centerpiece of Björk ’s Vulnicura is haunted by ghostly memories and vibrant emotions long deadened, so it’s only fitting that a producer as spectral and doom-burdened as Houston noise deconstructor (or “texan techno teddy boy,” according to Björk ) Rabit would get saddled with the role of undertaker. His string mutilations and broken electronics flow a little more naturally here than in his usual amalgamation of dissonant elements — like injecting embalming liquid into a corpse, rather than dumping it into a cocktail to see who winces first — but the final effect is just as rigid and toxic. — C. 6. Jaga Jazzist, “Oban” (Todd Terje Remix). Avant instrumental collective Jaga Jazzist and Norwegian space-disco kingpin Todd Terje embody the phrase “clash of the titans” on his remix of Starfire ’s “Oban,” an already epic big-band bender. Terje takes a good, long look at the track through LSD goggles and adjusts it as such: some sticky snare rolls here, acoustic bass augmented with twittering blips there, drums that hit with a more satisfying punch. With a sweeping sense of grandeur, he raises up the strings like the Sorcerer’s Apprentice. only to send them crashing back down, washing away any residual hesitations about letting yourself be taken over by his masterful rework. — H. 5. The Weeknd, “The Hills” (RL Grime Remix). It’s too bad RL Grime just missed festival season with his monumental remix of “The Hills” — the Weeknd’s unapologetic, chart-topping ode to pill-popping booty calls — because it’s a damn near a crime to hear his post-trap cinderblock smashes out of any sound system that’s less than three stories tall. Bass has been scientifically proven to make listeners feel more powerful, which explains the intense surge of adrenaline that accompanies the WeDidIt beatmaker’s clattering builds and the immediate thunderclap that follows, at once half- and double-time in true dubstep fashion. How does a body move to that kind of time signature? It doesn’t. Expect to collapse at the waist with a stupid grin on your face, and feel unreasonably exhausted when the track peters out with Abel Tesfaye’s faded, fading voice. — H. 4. Bruno Pronsanto Presents Archangel, “Julia” (Dean Blunt “On Wine, Hashish, and Molly” Version). Dean Blunt’s prankish take on “Julia,” a standout track from techno producer Bruno Pronsato’s work as Archangel, isn’t a remix so much as it is meta-commentary. Via Microsoft Sam -eque vocals, the former Hype Williams member and button-pushing aesthete enlists a spoken-word monologue and short sample to transform the swooning ballad into a twisted club track — sort of. It’s an uncomfortably detailed (but vastly entertaining) story about the quotidian experience of going to a club, over a raga-tinged backing track so soothing it could induce a body high all on its own. Like a famous Dave Chappelle bit about people who talk about other times they got high every time they get high, this extended soliloquy of an edit is another convincing argument for such vicarious thrills. — C. 3. Terranova feat. Stereo MCs, “Tell Me Why” (Danny Daze Mix). “We’re prisoners of space and time / As we’re locked inside our minds,” murmurs Rob Birch — perhaps ironically, given dance music’s emphasis on letting the beat control your body — on French/German DJ duo Terranova’s soot-black “Tell Me Why,” a worthy successor to nostalgia-fueled club mavens Stereo MCs’ 1992 breakthrough, “Connected. ” Former drug-dealing Miami wunderkind Danny Daze builds his thudding ripper off of that theme, spinning Birch’s ghostly howls down a wormhole so far and fast you can’t help but be sucked down into it. Known for his unpredictable DJ sets threading acid, electro, and the dustiest of basement techno, Daze hooks you with a bass uppercut a minute in, maintaining momentum with hissing pistons and a brief wash of organs. This one will stay, as predicted, locked inside your mind. — H. 2. Florence & the Machine, “What Kind of Man” (Nicolas Jaar Remix). The bitterness coursing like a rail whiskey shot through “What Kind of Man” finds its most piercing expression not during the chorus, but in the guitar riffs biting at Florence Welch’s heels. In his 12-minute exorcism of How Big. How Blue, How Beautiful ’s last grasp on a tortured relationship, Nicolas Jaar replaces these strings with helicoptering bass blasts so urgent and overpowering they almost drown out her powerful lungs. Strangled with reverb, as if she’s trapped in a prison of her own making, they come in and out of the mix: a perverse reflection of the here-today-gone-tomorrow dude making her life a living hell. But the moment of reckoning comes three-fourths of the way through. Jaar stacks squealing synths on top of each other with such purpose you think surely a release must be coming — but it never does. With melancholy horns, “What Kind of Man” burns out like the final embers of Welch’s love. 1. Eric Prydz, “Opus” (Four Tet Remix). At his Ibiza closing party this past fall, Barcelona-based DJ Maceo Plex decided to tease the island club mecca’s increasingly drop-desperate audience by spinning Four Tet’s ten-minute drag-out of Eric Prydz’s “Opus. ” Though the Swedish legend’s paean to his label Pryda’s tenth anniversary also takes its expertly-calculated time reaching the searing climax, Kieran Hebden one-ups him by erasing the breakdown’s backbeat altogether. Opening with the jazziest shuffle of kicks and snares he can fit into such a tightly 120-BPM time scheme, Four Tet keeps winding it up with Prydz’s orange-alert sirens in the background. Then he sits back and lets the beat drop out for six whole minutes, cranking the crystalline arpeggios faster and faster only to bottom out, almost as an afterthought: Fine, I’ll give you what you want. It’s an homage to the first days of warehouse raves, when DJs would tantalize drops for weeks before throwing it down. Let Four Tet keep you waiting, anticipating — it’s worth it. — H. NUART 2016 FILM : POST-STREET ART. This year's Nuart Festival film courtesy of Doug Gillen at Fifth Wall TV. At eight-years-old, Akiane decided she wanted to paint the face of Jesus, based on the visions she received. She looked for a person she might use as an. ART-SCHOOL LIVE 2017 B SIDES BEST Mosterotic Irina, MET-ART, Magicnude Metgirls - Most Beautiful Girls around the World. The dark-haired enchantress is photographed by Alex Sironi with her legs. Backun Musical designs and manufactures the world's most sought-after clarinets and woodwind accessories. List of 99 inspirational art quotes from famous artists to encourage, motivate, inspire, uplift, and stimulate creativity. Disegni da Lelio Orsi a Omar Galliani. Fino al 28 marzo 2016 Musei Civici, Reggio Emilia read more. Dredd is a 2012 science fiction action film directed by Pete Travis and written and produced by Alex Garland. It is based on the 2000 AD comic strip Judge Dredd and. PINLIGHT produces its own programming and no longer accepts outside production clients. See where you can watch. Want to watch this again later? Sign in to add this video to a playlist. Thy Art Is Murder official video for 'Reign Of Darkness' Nuclear Blast: http. Why can we not smell the ocean? Is there a reason why the ocean in Aruba does not smell like the ocean we know in the states? Learn about the history of hypnosis - a fascinating subject. From Magic Power to Everyday Trance. The history of hypnosis is full of contradictions. On the one hand, a history of hypnosis is a bit like a history of breathing. Like breathing, hypnosis is an inherent and universal trait, shared and experienced by all human beings since the dawn of time. On the other hand, it’s only in the last few decades that we’ve come to realise that! Hypnosis itself hasn’t changed for millennia, but our understanding of it and our ability to control it has changed quite profoundly. The history of hypnosis, then, is really the history of this change in perception. In the 21st century, there are still those who see hypnosis as some form of occult power. Those who believe that hypnosis can be used to perform miracles or control minds are, of course, simply sharing the consensus view that prevailed for centuries. Check out these other Reactions videos: Why does bacon smell so good?: https. Here is why you can't smell your. Why Can't I Smell My Perfume. First thing to do is give it a rest. Much like recapturing your home. Sinopsis Why Do You Smell Like the Ocean? Acest film nu are sinopsis. Ocean / Why does it feel like the ocean is pulling on you when your just standing in the water? Why does it feel like the ocean is pulling on you when your just. Change the type of thread. Which season do you like best? I love to go to the ocean to swim and lie on the beach reading a. Reggie Street movies list: Why Do You Smell Like the Ocean? Home; Movie; Year; Genre; Actor; Director; Writer. Why Do You Smell Like the Ocean? Recorded history is full of tantalising glimpses of rituals and practices that look very much like hypnosis from a modern perspective, from the “healing passes” of the Hindu Vedas to magical texts from ancient Egypt. These practices tend to be for magical or religious purposes, such as divination or communicating with gods and spirits. What do you smell like? In a few weeks I'll smell like sunshine and ocean breeze. Why Do You Smell Like the Ocean? Visit our Sundance guide for everything you need to know about the 2017 Sundance Film. It’s important to remember, however, that what we see as occultism was the scientific establishment of its day, with exactly the same purpose as modern science – curing human ills and increasing knowledge. From a Western point of view, the decisive moment in the history of hypnosis occurred in the 18th Century (coinciding with the Enlightenment and the Age of Reason). The work of Franz Mesmer. amongst others, can be seen as both the last flourish of “occult” hypnosis and the first flourish of the “scientific” viewpoint. Mesmer was the first to propose a rational basis for the effects of hypnosis. Although we now know that his notion of “animal magnetism”, transferred from healer to patient through a mysterious etheric fluid, is hopelessly wrong, it was firmly based on scientific ideas current at the time, in particular Isaac Newton’s theories of gravitation. Mesmer was also the first to develop a consistent method for hypnosis, which was passed on to and developed by his followers. It was still a very ritualistic practice. Mesmer himself, for instance, liked to perform mass inductions by having his patients linked together by a rope, along which his “animal magnetism” could pass. He was also fond of dressing up in a cloak and playing ethereal music on the glass harmonica whilst this was happening. The popular image of the hypnotist as a charismatic and mystical figure can be firmly dated to this time. Inevitably, these magical trappings led to Mesmer’s downfall, and for a long time, hypnotism was a dangerous interest to have for anybody looking for a mainstream career. Nevertheless, the stubborn fact remained that hypnosis worked, and the 19th Century is characterised by individuals seeking to understand and apply its effects. Surgeons and physicians like John Elliotson and James Esdaille pioneered its use in the medical field, risking their reputation to do so, whilst researchers like James Braid began to peel away the obscuring layers of mesmerism, revealing the physical and biological truths at the heart of the phenomenon. Thanks to their persistence and efforts, by the end of the century hypnosis was accepted as a valid clinical technique, studied and applied in the great universities and hospitals of the day. This trend continued into the 20th Century, although in some ways, hypnosis became imprisoned by its own respectability, as it became mired in endless academic debate about “state” or “non-state”. This conundrum – does hypnosis have a real, physical basis, or not? – ultimately proved to be rather sterile. Important shifts were happening elsewhere, however. First of all, the centre of hypnotic gravity moved from Europe to America, where all the most significant breakthroughs of the 20th century took place. Secondly, hypnosis became a popular phenomenon, something that was increasingly available to the layman, outside of the laboratory or clinic. At the same time, the style of hypnosis changed, from a direct instruction issued by an authoritarian figure (a legacy of the charismatic mesmerist) to a more indirect and permissive style of trance induction, based on subtly persuasive language patterns. This was largely due to the work of therapists such as Milton H. Erickson. More importantly, perhaps, hypnosis became increasingly practical, and regarded as a useful tool for easing psychological distress and bringing about profound change in a variety of situations. This theme has continued up to the present day. Advances in neurological science and brain imaging, together with the work of British psychologists Joe Griffin and Ivan Tyrrell who linked hypnosis to the Rapid Eye Movement (REM), have also helped to resolve the “state/non-state” debate, bringing hypnosis and hypnotic trance firmly into the realm of everyday experience. At the same time, the nature of “ordinary” consciousness is better understood as a series of trance states that we go into and out of all the time. The history of hypnosis, then, is like the search for something that was in plain view all along, and we can now see it for what it is – a universal phenomenon that’s an inextricable part of being human. The future of hypnosis will be to fully realise the incredible potential of our natural hypnotic abilities. Comments on this entry are closed. It always went around them. Its motto is to go against the odds. And this is the reason why it Carte Blanche - 2015. 24 likes · 1 talking about this. Carte Blanche (2015) 1h 46min | Drama | 23 January 2015 (Poland). Hoe ontstond de naam Bistrot Carte Blanche? Carte Blanche caÅ‚y film, Carte Blanche Lektor PL, Carte Blanche caÅ‚y film po polsku, Carte Blanche cda, Carte Blanche napisy, Carte Blanche po polsku. Inspired by incredible true events, "Carte Blanche" is a story about respected high school teacher who hides his progressing blindness from everyone around him. Carte Blanche. 1h 46min | Drama, Romance | 23 January 2015 (Poland) Kacper, a middle-aged. created best of 2015 a list of 38 titles. IMDb > Carte Blanche (2015) > News. Own the rights? Buy it at Amazon. More at IMDb Pro Update Data. Quicklinks Top Links trailers and videos full cast and crew. “One of the reasons I find Seth and his contemporaries’ works so interesting is because it and they ask the reader to use a very different rubric when they are experiencing – reading – the art. For me, the critical debates in the visual arts seemed to dead end when the voices of anti-skilling, self-reference demanded that analysis always trumped emotion and humanity when confronting a work of art to determine significance. For me, there was always a whiff of intolerance toward visual art that explored humanity as a wide-spectrum project. ”. The first job I ever had in the Montreal region was at a company called Bath Fitter, aka Bain Magique, up beyond Laval in a town called Saint Eustache. As I listened to the explanation of the pension benefits that I was entitled to, a repeat of conversations I’d had with prior employers in Edmonton, it dawned on me: I’ve never cared about this conversation, I still don’t care, and I actually feel it’s OK to not care, because I have very little faith that, by the time my retirement rolls around, the world that we know – mortgages, insurance plans, “financial security” etc. – will exist. Congratulations to Lesley Trites for winning the 2016 3Macs carte blanche Prize last night at the Quebec Writers’ Federation Gala for her story “Rabbits with Red Eyes. ”. Post navigation. Looking for something. Join our mailing list. @alacarteblanche. What is carte blanche. |
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